Jon Poll, born in 1958, is an American film director, editor, and producer recognized for his versatile contributions to the entertainment industry.
Raised as one of three sons of the late film producer Martin Poll, Jon developed an early passion for filmmaking, which led him to graduate from the University of Southern California’s School of Cinematic Arts in 1981 with a degree in film production.
His career spans decades, marked by a seamless blend of editing, producing, and directing, with a particular flair for comedy films that resonate with audiences through sharp storytelling and humor.
Siblings
Jon has one brother, Mark Poll
However, information about Jon’s siblings is limited, as he maintains a private personal life, and public records focus primarily on his professional achievements.
Career
Poll’s career began in the editing room, where he honed his craft over two decades, editing 18 films between 1982 and 2004.
His early work includes films like Weeds (1987), Fire Birds (1990), and Cabin Boy (1994), showcasing his ability to shape narratives across genres.
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Poll gained prominence editing major comedies such as Austin Powers: The Spy Who Shagged Me (1999), Meet the Parents (2000), Austin Powers in Goldmember (2002), Scary Movie 3 (2003), and Meet the Fockers (2004).
His editing expertise, particularly in comedy, is noted for its precise timing and structural finesse, contributing to the success of these box-office hits.
Beyond editing, Poll served as a co-producer on the television series TV 101 and Eerie, Indiana, and as an executive producer on The 40-Year-Old Virgin (2005).
He also co-produced Brüno (2009) and directed second-unit work on films like Meet the Fockers and Dinner for Schmucks (2010), including its title sequence.
Poll transitioned to directing with his debut feature, Charlie Bartlett (2007), a teen comedy-drama starring Anton Yelchin and Robert Downey Jr.
The film, based on a screenplay by Gustin Nash, marked Poll’s ability to balance humor with heartfelt storytelling.
His journey to directing came after a serendipitous connection with producer Jay Roach, with whom he had collaborated on multiple projects.
When Roach stepped away from Charlie Bartlett, he recommended Poll, who successfully pitched himself for the role.
More recently, Poll edited high-profile projects like Bombshell (2019) and The Color Purple (2023), and he is slated to edit The Roses (2025), demonstrating his continued relevance in Hollywood.
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